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Made in Ireland
Handmade in Belfast by one of our sewists.
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Tweed from Mourne
Woven by a family of weavers in County Down.
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Our barn jacket
A practical shape, made in finer cloth.
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Lined in Irish linen
Black linen inside, beetled at Upperlands until it shines.
For the one who stays behind
Named in honour of whoever is in a hurry to lock up, then somehow ends up on the doorstep talking for another hour.
Look closer
Two Irish cloths, one jacket
Our take on the barn jacket. The texture of the tweed sits against the smooth, light-catching beetled linen of the collar and lining.
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The collar
Black beetled linen against the tweed.
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The pockets
Zipped at the chest, flapped at the hips.
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From behind
A familiar, practical shape.
Kept for Good
Made to wear with
Pieces from the same season.
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Wear it withbeetled bow skirt | loinnir pink
£560.00
The Bow Skirt, in Loinnir Pink.
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Wear it withrose dress | stained glass
£565.00
The Rose Dress, in Stained Glass.
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Also in Mourne tweedthe shawl | mourne tweed
£725.00
The Shawl, in the same cloth.
Mourne tweed.
Woven in the foothills
of the Mournes.
Mourne Textiles was founded in Rostrevor, County Down, in 1954 by Gerd Hay-Edie, a Norwegian weaver who had made the Mournes her home. Her daughter Karen, a master weaver, carried it on, and today her grandson Mario runs the mill: three generations at the same craft. Some of the looms have been in the workshop for more than fifty years.
Here, a tweed with a texture you can feel before you touch it, set against the smooth shine of black beetled linen. Two Irish cloths, side by side.
One pair of hands,
start to finish.
Every piece is cut and sewn in Belfast by one of our sewists, who sees it through from the first cut to the last stitch.
We keep our making close to home on purpose. Belfast was once the linen capital of the world, and the skills that built it are rare now. Making here is how we keep them alive.
Need it by a particular day? Let us know by emailing us or leaving a note at checkout.
The cloth
Beetled linen.
Struck until it shines.
Linen, wound on a wooden beam and beaten under wooden hammers until the weave closes and a quiet sheen comes up.
It is done at Upperlands, in the last beetling mill in the world, on engines well over a century old. The sheen comes from the hammering, not from any finish.
It gives the cloth a crispness ordinary linen does not have, and lets it hold a shape.
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