
Craftsmanship
THE WAY WE MAKE
Irish cloth. Knowing hands.
A Kindred imagination.
A sleeve with room to gather. A collar that changes a familiar shape. A bow discovered at the back. For us, craftsmanship lives in the meeting of Irish cloth, the knowledge of its makers and Amy’s eye for proportion.
It begins with a material that makes us curious, and the possibilities we find within it.
Irish Linen
Room to move
Linen is where our story began. We love its range: washed cloth that falls into soft gathers, a firmer weave that gives a sleeve its shape, a stripe that draws the eye along a generous line.
Each cloth brings a different weight, texture and movement to the piece it becomes.
A familiar cloth.
Another possibility.
A bright cuff turned back. Soft colour running through a stripe. Small changes in cloth and proportion can give a familiar shirt a different feeling.
These pieces from our spring and summer 2026 core shoot show the lightness and colour we return to in linen.
Donegal Tweed
Colour, woven in.
Colour runs through Donegal tweed in small, irregular flecks. Look closely and one shade reveals others within it, giving the surface its depth and character.
We work with wool tweed woven by Molloy & Sons in Ardara. Its warmth and substance lend themselves to generous coats and sculptural jackets. A linen lining brings another of our favourite cloths into the making.
Shamrock tweed, photographed for Kept for Good, brings green and glints of gold into view.
The people
behind the cloth
We want the people and places behind these materials to remain part of their story.
In Ardara, Molloy & Sons carries six generations of weaving knowledge into the Donegal tweed we use. Colour and cloth are developed at the mill, from design and warping through to weaving.
For Kept for Good, our autumn and winter 2026 collection, we also work with Mourne Textiles in County Down. Their Irish tweed appears in the Locking Up Jacket and The Shawl, bringing another place and weaving tradition into the collection.
Our archive photographs show Willie Smyth at work with the beetling machinery in Upperlands. His hands at the cloth make the process tangible: knowledge held in a person as well as a machine.
EXPLORE THE COLLECTIONS
A cloth you love.
A piece to make your own.
Begin with House Signatures, where our favourite shapes and details come together, or follow the cloth that catches your eye.
Beetled Linen Collection
Donegal Tweed Collection
Striped Linen Collection